I think it is
interesting how much this community has grown and developed over the past
weeks. In this class I think we are somewhat overwhelmed at times with the
amount and depth of the information that is coming our way. But I don’t think
that it is in a bad way at all. It sometimes opens doors to conversations we
would not otherwise have. The discussions in this classroom are amazing to say
the least and I think that we could even perhaps take it even further.
Spivak has been
flitting around in my head ever since she entered the conversation, hitting us
with the thoughts of “who is actually speaking, and who is really listening,
and who is being heard.” I really think that my work with the Sitayana this
semester has been a huge help in bridging the gap between what little I know
about these types of subjects and my understanding of the important concepts
that Spivak is trying to tell the world. Do people listen when Sita speaks,
when Mondodari, Ravana’a first wife and my character, speaks? I do now. I see
it every time I read the script and think there it is, that’s 332. I do not
think that I would have been able to grasp one of the main themes of the
Sitayana, women and their voice, if I had not had Spivak to incorporate into my
perceptions. And I think our class has that sense now as well when we watch
films with women.
Billionaire for
instance. The entire time I just saw these women all being pulled around in
different directions none of them even seeming to speak or have an opinion. And
when they did you wonder what the audience is actually hearing. The pleas of a
mother for her child or that of a prostitute who smokes and doesn't deserve the
money in question, even if it is for her son. We touched on it in class, but I think
a good project would be to move the discussion away from the more obvious plot
that the film has laying on the surface and try to grasp some of the deeper
underlying themes. It’s not all about how mean Americans can be or how messed
up this one guy was or not. It’s about those that are affected by this system,
this hegemony. The ones who are directly influenced by these important
decisions, but hardly have any Freedom to make a choice in the matter. That is
what Spivak is looking for, that is what Sita embraces, and that is why
Mandodari is so powerful to me. The power of speech, but the even greater power
of being heard.
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